Northeast Asia Video Summit – Japan and Korea

Date & Time: 28 Oct 2025 9AM-6PM JST
Venue: Tokyo Studio, 51/F, Andaz Tokyo Toranomon Hills
Address: Toranomon Hills Mori Tower, 1-23-4 Toranomon, Minato-ku, Tokyo, Japan

Japan and South Korea are at the forefront of video innovation in Asia, fueled by the rapid growth of streaming platforms, widespread adoption of smart devices, and soaring global demand for local content. Together, these two powerhouses are expected to contribute 24% of the incremental video industry revenue growth in the Asia-Pacific region from 2024 to 2029.

However, this growth comes with distinct challenges given the differing market dynamics. The entrance of global streaming giants has put pressure on local players to evolve. As both markets navigate disruption—from traditional FTA broadcast and linear pay TV to OTT, Connected TV (CTV), and advanced advertising— are there similarities and shared lessons to be learnt from both regions? How will technological advancements impact the eco-system? As K-content continues to lead Asian content, will it be able to reinvent itself to maintain its dominance or will we see J-content rising to contest this lead even as the world can’t get enough of anime?

This summit brings together leaders from across the video ecosystem to explore opportunities, address challenges, and shape the future of video in Northeast Asia.

Key Themes at the 2025 Northeast Asia Summit:

  • The State of Video in Northeast Asia
  • The Future of Pay TV and Turbulence in the Stream
  • Consolidation and Growth
  • The Opportunity for International Players
  • A New Era in Premium Video Advertising
  • Content Driving Growth
    • State of the Korean Content Industry
    • Tapping the Global Demand for Anime
    • The Resurgence of the Japanese Content
    • Collaboration, Co-Productions and Co-Financing
    • Building an International Content Business
    • Laying the Foundation for Sustainable Growth

Simultaneous translations will be made available for this conference.

 

開催日時:2025年10月28日(火) 9:00~18:00(日本標準時)

会場:アンダーズ東京 トランクションモンヒルズ 51階「Tokyo Studio」

住所:東京都港区虎ノ門1-23-4 虎ノ門ヒルズ森タワー

日本と韓国は、アジアにおける映像イノベーションの最前線に立っています。その背景には、ストリーミングプラットフォームの急成長、スマートデバイスの普及、そしてローカルコンテンツに対する世界的な需要の高まりがあります。両国は合わせて、2024年から2029年にかけてアジア太平洋地域における映像産業の増分収益成長の24%を担うと見込まれています。

しかしながら、この成長は市場構造の違いによる固有の課題も伴っています。グローバルなストリーミング大手の参入により、ローカルプレイヤーには進化が求められています。両国市場は、従来のFTA放送やリニア型有料テレビから、OTT、コネクテッドTV(CTV)、高度な広告ソリューションへと移行する中で大きな変革を経験しています。果たして両市場に共通点や相互に学ぶべき教訓はあるのでしょうか。テクノロジーの進展はエコシステムにどのような影響を及ぼすのか。アジアコンテンツを牽引するKコンテンツは、その優位性を維持するために自己変革を遂げられるのか。それとも、世界中で高まるアニメ人気を背景に、Jコンテンツが再び台頭し、リーダーシップを争うことになるのでしょうか。

本サミットでは、映像エコシステム全体からリーダーが集い、機会を探り、課題に取り組み、北東アジアにおける映像の未来を形作っていきます。

2025年 北東アジアサミットの主要テーマ:

  • 北東アジアにおける映像の現状
  • 有料テレビの未来とストリーミングの混乱
  • 統合と成長の展望
  • 国際的プレイヤーへの機会
  • プレミアム映像広告の新時代
  • コンテンツが牽引する成長
    • 韓国コンテンツ産業の現状
    • 世界的アニメ需要の取り込み
    • 日本コンテンツの復活
    • 協業、共同制作、共同資金調達
    • 国際的なコンテンツビジネスの構築
    • 持続的成長のための基盤づくり

本カンファレンスでは、同時通訳をご利用いただけます。

Speakers

John Flanagan - ジョン フラナガン
Managing Director, Japan and SE Asia
A+E Global Media
Chiyako Slawinski - チヤコ・スワヴィンスキ
Director, Content Acquisition
AZUKI (Anime.com)
Tatsuhiko Taniguchi - 谷口達彦
VP, Content Headquarters, ABEMA.TV
and Managing Executive Officer
CyberAgent
Yu Sasamoto - 笹本 裕
CEO Japan and APAC Business Development
DAZN Japan
Takaya Hoshi - 星 貴也
Chief Strategy Officer
Dentsu Japan International Brands Inc.
Eunice Park
Chief Revenue Officer
Encompass Digital Media
Takamitsu Mochizuki - 望月 貴晃
Director and Chief Marketing Officer
FAST Corporation
Yuki Akutsu - 阿久津 友紀
Director, Office of the President
Hokkaido Television Broadcasting (HTB)
Daisuke Fukushima - 福 島 大 輔
Senior Vice President &
Managing Director
IMG Media Japan G.K.
Nobuhito Takei - 竹井 伸仁
Country Manager, Japan and Korea
Integral Ad Science Japan
Nick Chuah
Managing Director APAC
INVIDI
Takuya Ohno - 大野 拓也
Head, Media Business Division
Japan Rugby Football Union
Yoichi Iwaki - 岩木 陽一
President, Representative Director
JCOM Co., Ltd
Kaz Sasajima - 笹島 一樹
General Manager, Media Business Division
JCOM Co., Ltd.
Soojin Kim - 김수진
Head of Streaming Monetization, APAC
Moloco
Hideki Henry Goto - 後藤秀樹
President
OKUTAGON LLC
Madoka Hull - ハル まどか
Senior Account Executive - Japan & North Asia
Publica by IAS
Hodaka Watanabe - 渡邉 穂高
Head of Communication & PR
RB Omiya
Tomokazu Hori - 堀 智一
Group President, Media Business Group
SKY Perfect JSAT Corporation
Jessica Fuk - ジェシカ・フク
Research Analyst, APAC Online Video
S&P Global Market Intelligence
Joonsuh Park - 박준서
CEO and President of Productions
SLL
Yuichiro Saito - 齋藤 優一郎
Producer and CEO
Studio CHIZU
Katsuaki Setoguchi - 瀬戸口 克陽
Executive Officer Global Business Division, TBS Holdings Inc.
President and CEO,
THE SEVEN, Inc.
Sunghyun Joshua Cho - 조성현
CBO
TVING
Buddy Marini - バディ マリーニ
Managing Director, Japan
Warner Bros. Discovery
Louis Boswell
CEO
AVIA
Gregory Ho
Senior Advisor
AVIA

Speaker Interview

Chris Mottershead
Commercial Director JAPAC
Publica by IAS
  • expand_more

    What are the key factors driving the shift from traditional reservation-based TV buying to programmatic in Japan’s video ad market?

    From what we’re seeing at Publica, the shift from traditional reservation-based TV buying to programmatic in Japan is being driven by a mix of audience behaviour, technology, and advertiser expectations.

    Firstly, viewing habits are changing fast. Audiences are spreading across devices from linear TV to CTV and Mobile which is creating a real need for data-driven buying models that can deliver incremental reach and frequency control beyond linear. Advertisers want to follow the viewer and programmatic provides the flexibility to do that efficiently.

    Secondly, the advancement of CTV and platforms like TVer and Abema have created a premium, brand-safe environment where automation can thrive. This has gone a long way toward building trust in programmatic trading, particularly among broadcasters and agencies who value control and transparency.

    The buy side is demanding more accountability and flexibility in how their video investments perform. Programmatic allows for smarter targeting, dynamic optimisation and real-time measurement, things that non digital environments simply can’t offer.

  • expand_more

    What role does CTV and OTT play in enabling more precise audience targeting, and how is this evolving in Japan?

    CTV and OTT are playing a transformative role in bringing precision and data-driven decisioning to Japan’s video landscape. For the first time advertisers can go beyond traditional demographic buying to leverage audience-based targeting using data to reach viewers based on interests, behaviours and viewing patterns across devices.

    From what we’re seeing at Publica platforms like FOD and FAST is creating the foundation for this evolution. These environments offer both scale and addressability within trusted inventory, giving advertisers the confidence to invest programmatically while maintaining brand safety. It’s effectively bridging the gap between the control of linear TV and the flexibility of digital.

    Japan’s market is advancing cautiously but strategically. Broadcasters are exploring first-party data strategies, unified IDs and audience segmentation, while ensuring compliance with local privacy expectations. We’re starting to see early examples of data collaboration between broadcasters and advertisers that mirror developments we’ve seen in markets like the U.S. and Australia.

  • expand_more

    What are the biggest challenges slowing programmatic growth in Japan, and how can they be overcome?

    Ultimately, Japan’s approach is one of cautious evolution rather than rapid disruption, learning from the successes (and missteps) of others to build a more sustainable and trusted programmatic video ecosystem.

    Japan is arguably the market that places the highest value on brand safety and control. As a result, both buyers and sellers have traditionally preferred direct, 1:1 deals, where transparency and trust are more easily maintained. There remains a degree of hesitation toward programmatic trading, particularly in open RTB environments, due to ongoing concerns about inventory quality and ad placement.

    While advancements offered by platforms such as Publica offer enhanced verification tools and live contextual frame by frame analysis, meaningful progress will depend on a mindset shift within the industry. It will take a few forward-thinking pioneers to lead by example, demonstrating the safety and efficiency of programmatic channels and building confidence across the wider market.

  • expand_more

    How are lessons from other markets—such as the U.S. or Australia —informing Japan’s approach to programmatic video advertising?

    Markets like the U.S. and Australia have demonstrated how programmatic video can deliver scale, efficiency, and precision targeting without compromising on quality or brand safety provided the right frameworks and transparency are in place. It’s fair to say Japan is watching these markets closely and taking a measured, evidence-based approach to adopting similar practices.

    For instance, the success of private marketplaces and programmatic guaranteed deals in more mature markets has shown Japanese broadcasters and publishers that automation doesn’t have to mean loss of control. These models preserve premium relationships while offering the benefits of data-driven trading.

    Interestingly, we’re also seeing some Western markets looking to Japan’s broadcast model for inspiration. Traditional broadcasters in regions like Europe and Australia are increasingly exploring collaborative approaches, unifying their inventory to offer advertisers greater reach and addressable scale, effectively adopting elements of the TVer model.

Gold Sponsors

Silver Sponsors

Media Partners

Supporting Events & Organisations